Donna Summer Mailing Address, Email, Fan Mail, House Address, Contact Number, Agent, Manager, Mailing address, Contact Info
Donna Summer (born December 31, 1948, Boston, Massachusetts, United States—died May 17, 2012, Naples, Florida) was an American singer-songwriter known as the “Queen of Disco” but also had success in rhythm and blues, dance music, and pop.
Summer sang in church and then in Boston clubs as a fan of gospel vocalist Mahalia Jackson. She joined the German production of the musical Hair when she was 18 years old. She studied with the Vienna Folk Opera and appeared in Godspell and Show Boat productions while in Europe. She married Austrian actor Helmuth Sommer in 1972, and following their divorce in 1976, she kept his name but Anglicized it for the stage.
Summer met producer-songwriters Giorgio Moroder and Pete Bellotte while doing session work at Musicland Studios in Munich, West Germany. Before establishing the historic single “Love to Love You Baby” (1975), the three cooperated on many Europop singles before releasing the landmark single “Love to Love You Baby,” the first of more than a dozen hits in the United States for Summer, the most of which were on Casablanca.
The approximately 17-minute club version of the erotically packed tune was the precursor to the 12-inch disco mix. Summer created or co-wrote the majority of her songs over the next 14 years, including the proto-techno tracks “I Feel Love,” “Bad Girls,” and “She Works Hard for the Money.” “MacArthur Park,” “Hot Stuff,” “No More Tears (Enough Is Enough),” a duet with Barbra Streisand, and her hallmark song, “Last Dance,” from the film Thank God It’s Friday, were other significant hits for her (1978).
Summer revealed her drug and alcohol struggles and her 1979 conversion as a born-again Christian in her autobiography, Ordinary Girl (2003; with Marc Eliot). She continued to have success well into the twenty-first century.
Three songs from her 2008 album Crayons and her most recent hit, “To Paris with Love,” reached the top of Billboard’s dance music charts (2010). Summer won five Grammy Awards over her career. In 2013, she was inducted into the Rock & Roll Hall of Fame after death.
An autobiography is a self-narrated biography of oneself. From private writings written during life that were not necessarily intended for publication (such as letters, diaries, journals, recollections, and reminiscences) to a formal book-length autobiography, autobiographical works can take numerous forms.
Formal autobiographies provide a unique form of biographical truth: a life molded by remembering, complete with all of the conscious and unconscious omissions and distortions that recollection brings with it. As a result, an autobiography is “a sort of existence,” according to novelist Graham Greene, who used the term as the title of his autobiography (1971).
There are few and dispersed examples of autobiographical literature in antiquity and the Middle Ages. Sima Qian, a Chinese classical historian, included a brief description of himself in the Shiji (“Historical Records”) in the 2nd century BCE.
Though Augustine placed Christianity at the center of his narrative and regarded his portrayal of his own life as only incidental, he produced a remarkable personal account of his religious conversion, spanning from youth to adulthood, in his Confessions, written around 400 CE.
Every musician has a heyday time that is most closely linked with them. But this imperial period identifies Donna Summer more than most. She is often referred to as the “Queen of Disco” because of a succession of unforgettable singles in the late 1970s, including Love to Love You Baby, I Feel Love, Last Dance, Bad Girls, and On the Radio.
Summer is deserving of the label because she was the preeminent disco musician of the era, but it also feels a little limiting. Summer’s life and work are more than just her purple patch. “Donna Summer is renowned because of her authenticity as a performer, her aesthetic, and her pioneering style,” alt-R&B duo Lion Babe’s Jillian Hervey says. ” Her voice changed music forever, and her freedom of expression has influenced female singers all over the world.
Hervey isn’t even close to exaggerating. Summer’s death from lung cancer on May 17, 2012, prompted artists such as Kylie Minogue, Solange, and Katy B to express their admiration for her. From Beyoncé, who sampled Summer’s Love to Love You Baby on her 2003 hit Naughty Girl, to pop-rock band Texas, who copied Summer’s Love’s Unkind on this year’s track, Mr. Haze, everyone has mentioned her music.
Summer had a huge influence on Jessie Ware’s critically praised 2020 album What’s Your Pleasure?, who said: “She just had this strength and this femininity and flirtation I was so captivated with.” And I wanted to include all of that on this record.” The singer’s music is still so popular that the title of her greatest hits CD, Endless Summer, from 1994, is hard to dispute.
“I Feel Love is without a doubt one of the most influential records of all time,” says Luke Howard of Horse Meat Disco, a worldwide known club collective. “However, Summer is still one of the most successful solo female music artists of all time, even if you ignore her back catalog.” Summer’s commercial success peaked in the late 1970s when disco became popular, but she continued to have singles when the genre faded from favor.
The Disco Sucks campaign, led by mostly white rock fans who felt intimidated by the success of a genre-based in the black and gay underground, exacerbated its financial collapse. It reached a toxic crescendo on July 12, 1979, the infamous Disco Demolition Night, when thousands of people gathered in a Chicago baseball field to detonate boxes of disco records in a horrific publicity stunt.
Given how closely Summer had become associated with disco, it’s remarkable that she continued to have singles well into the next decade, including the new wave classic She Works Hard for the Money in 1983. The spangly pop smashes This Time I Know It was for Real in 1989.
Even obscure Summer songs are catnip for contemporary DJ-producers nearly a decade after her death: Junior Vasquez, Oliver Nelson, and Ladies On Mars have just queued up to remix tracks from I’m a Rainbow, a so-called “lost” album that her record label shelved in 1981 because it felt its disco sound was passé and wanted Summer to transition to a more R&B-oriented style.
Summer’s new album, I’m a Rainbow: Recovered and Recolored, shows the ageless quality. It’s exciting to hear her glide over Ladies On Mars’ turbo-charged beat on his thundering remake of Leave Me Alone, especially when she says the empowering pay-off line, “I’ll never belong to you or any other guy.” Summer’s then-label boss, David Geffen, is blamed for the album’s demise, according to co-producer Pete Bellotte.
He explains, “I never understood why he signed her in the first place because he despises disco music.” “He was a great guy, but in my perspective, he was completely inappropriate for her.” Still, Bellotte claims he didn’t sulk for long because a tune from the record, Romeo, went on to earn a “good sum of money” for everyone involved when it was included on the highly successful Flashdance movie soundtrack in 1983.
Summer not only defined disco during her imperial period, but she also went beyond it. Summer “brought it out of the clubs and right to the top of the charts,” according to Howard, whereas “dance music was and still is to some part a club-based genre.”
She had eight top-five hits on the Billboard Hot 100 in 1978 and 1979. Around this time, summer was also releasing double albums, which Howard describes as “unheard of for a dance performer” and emphasized her standing as a genre-defying superstar. He continues, “It put dance music on the level with rock music, which at the time was an album-based medium.”
Summer, in a sense, defeated the rockers at their own game by becoming the first artist to chart three consecutive double albums on the Billboard 200 in 1979. Summer, according to Hervey, should be considered “one of the original rock stars.”
Summer was a seasoned performer by the time she broke through in the mid-1970s. She grew up in Boston, the daughter of a butcher and a teacher, and began her career in school musicals before traveling to New York City in 1967 to join Crow, a blues band. She moved to Munich the following year after obtaining a part in the city’s zeitgeist-grabbing rock musical Hair.
She met songwriter-producers Bellotte and Giorgio Moroder six years later while working as a backing singer in the same location. They began an exceptionally prolific seven-year relationship that delivered the majority of her best successes.
Summer also showed her songwriting abilities when few female pop musicians were encouraged to do so. She was credited with Bellotte and Moroder on her classic 1975 breakout single Love You to Love You, Baby, despite having no co-writing credits on her 1974 debut album Lady of the Night, which was produced by Bellotte and only released in the Netherlands.
From there, the trio began successful songwriting cooperatio
n that resulted in more successes like I Feel Love, Love’s Unkind, and I Love You. Summer was secure enough to write numerous songs on her own by 1979’s Bad Girls album, which is largely regarded as her best. Dim All the Lights, a slinky disco ballad she created and intended for Rod Stewart, reached number two on the Billboard Hot 100.
Summer’s songwriting was compassionate at its best. After one of her aides was mistaken for a street-walking sex worker by a police officer, she was inspired to write Bad Girls’ classic title track. Summer began to envisage the lifestyles of women who made a profession selling sex. On the pre-chorus, she says, “Now, don’t you question yourself, “Who are they?” “They, like everyone else, want to be famous.”
Summer cleverly incorporated the subject into the album’s cover art, with a photo of her posing under a red street light while a cop watches her. Because this moment takes place in the background, behind a larger head-and-shoulders shot of the performer, it is less intrusive and provocative than it could have been.
Still, it looks to foretell Madonna’s more determined envelope-pushing in the 1980s regarding sex and sexuality. Summer’s breakout track Love to Love You Baby, released in 1975, rode a wave of Madonna-like controversy to the top of the charts.
The BBC and several other broadcasters worldwide banned the song because her purring voice rendition was deemed overly sexually suggestive by some. Madonna tweeted “rest in peace” with a link to Future Lovers, her 2005 song composed in homage to Summer’s I Feel Love when Summer died in 2012.
Personal Profile Donna Summer
- Name: Donna Summer
- Date of Birth: 31 December 1948
- Age: 63 years (Age at death)
- Birth Sign: Capricorn
- Nationality: American
- Parents: Andrew and Mary Gaines
- Siblings: NA
- Birth Place/City: Boston, Massachusetts, United States
- Profession: American Singer, Songwriter, and Actress.
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