Iskra Lawrence was born in Wolverhampton and raised in Kidderminster, Worcestershire since he was six weeks old. He has two brothers and a sister. When Lawrence was 15, he was accepted into the National Youth Theatre of the United Kingdom. She attended Holy Trinity School in Kidderminster, Malvern St James, and then Bromsgrove School. She was also a competitive national swimmer and was accepted into the Malvern St James School. In most Slavic languages, her given name translates as a spark.’
She has been associated with the body-positive movement for a long time, has become an outspoken advocate for self-love and body acceptance long before those topics became popular. Having learned more about the origins of body positivity and how it “wasn’t a movement created for someone like me,” the 31-year-old model has now explained how she made efforts to differentiate her messaging. Lawrence’s relationship with songwriter Philip Payne was officially confirmed in January of this year. Lawrence announced in November 2019 that she was 17 weeks pregnant with her and Payne’s first child, which they are expecting in May 2020.
She became a mother for the first time on April 16, 2020, when she gave birth to a son. With her approach to body positivity, she says, “At first, I felt like I was literally just sharing my personal thoughts and personal journey, and I didn’t really understand that I was feeding into some kind of movement.” She has since realized that she is contributing to a larger movement. The fact that I was unaware got me into some trouble at the start of my journey, because I didn’t understand who had started the movement or what it was intended for.”
Lawrence is the Global Role Model and a model for the lingerie line brand Aerie, which is owned by American Eagle Outfitters and is a brand of intimate apparel. She has also posed for the Adore Me lingerie line, which she loves. In 2016, Lawrence completed her catwalk debut for Chromat at New York Fashion Week, and in October 2017, she walked in the first fashion show for L’Oréal at Paris Fashion Week. Lawrence has been modeling for thirteen years. Lawrence was chosen by American Eagle Outfitters, along with five other millennials, for their Fall 2017 jean campaign, “The New American Jean,” which makes use of images that have not been retouched.
In 2018, Lawrence was named as a brand ambassador for Marina Rinaldi’s Persona collection campaign, which launched in 2018. Lawrence serves as a brand ambassador for the National Eating Disorders Association (NEDA) and is the creator of the NEDA Inspires Award. Unlike many other celebrities, Lawrence does not retouch her own images before posting them on social media platforms such as Instagram and Facebook. She is a vocal critic of “body shamers,” including one user who she confronted on her Instagram account in April 2016 after the user made derogatory comments about her.
Lawrence was included in the 2017 Maxim HOT 100 list in the category of multi-hyphenates.’ Lawrence was recognized as one of the Forbes 30 Under 30 for Europe in the category of Art & Culture in the year 2019. Lawrence was named one of the Malvern Alumnae 100 by Malvern St James School, which was celebrating its centennial year. Inspiring the next generation of female leaders.” As a contributor to Self magazine, Lawrence also served as the founding managing editor of Runway Riot, a website designed to provide a platform for women of all shapes and sizes to learn about the world of glamour.
Lawrence served as the host of “The Mirror Challenge with Iskra,” a Facebook Watch series produced by Clevver Media, a brand of Defy Media, which premiered in 2018. Lawrence was also given producer credit for the show because he was the one who came up with the main concept for it. In 2011, Lawrence appeared as an extra in the British television series Misfits, in which she played a zombie cheerleader.
The fat rights and fat liberation movements of the 1960s served as a springboard for the body-positive movement, which aimed to end fat-shaming and discrimination in society. It was later revealed to Lawrence that the movement was intended for “marginalized bodies,” which she did not qualify for because she was a heterosexual white woman. “I owed an apology to a lot of people who felt I was taking up valuable real estate,” she says. In spite of this, Lawrence desired to speak out about the ways in which she had been made to feel unworthy of love because of the way her body appeared. She also realized that she wasn’t by herself.
“Having worked in the fashion industry for many years, I’ve witnessed some of the most stunningly beautiful women I’ve ever seen who were also the most unhappy and insecure women I’ve ever witnessed. And that just made me realize how much of a relative issue this is “Lawrence goes into detail. “It’s impossible for anyone to be completely, completely, completely in love with themselves every single second of every single minute of each and every day of their lives. This is something that I know I’ve gone through and that I believe 99 percent of the population has gone through, so allow me to simply express my feelings about it ”
It’s like this.” In her early twenties, Lawrence was already plagued by the beauty standards that she had been exposed to since she was a young girl. She recalls that watching Disney Princesses on television and playing with Barbies taught her that “long hair, long limbs, and having an abled body” were all characteristics that defined a woman as beautiful. A professional swimmer and model, respectively, she went on to achieve success in industries that placed a strong emphasis on her physical appearance.
She says she became obsessed with the idea of who she was versus who she needed to be in order to pursue her dream of working in the fashion industry after being publicly body-shamed at a fashion show because she couldn’t fit into the sample clothing and being dropped by an agency because her hips were too big. “It was this extremely toxic, competitive environment in which you were judged on your appearance and size on a daily basis, and it was through this that you were able to book jobs. As a result, your physical appearance serves as the foundation for your entire sense of worth and value.”
Even though the pressure caused Lawrence to engage in disordered eating and unhealthy habits in order to alter the shape and appearance of her body, it was during her eating disorder recovery that she learned the tools for body acceptance. She discovered the ways in which she was harming herself by viewing her body through the filtered lens of professionally photographed and campaigned images that had been heavily retouched as a result of this process. She also considered the effect that her perfected image would have on the people in her neighborhood. “Retouching and Photoshop were a kind of perfected illusion that could have an impact on anyone and everyone, even if they were not aware of it at the time.
Consequently, that was an area of investigation into which I descended with the simple thought that I believe most people are unaware that every image they consume has been retouched. Everything, in a literal sense “she explains. Thus, that’s an area in which I believe I can make a difference, and I have definitely focused on it as a policy change in my work with brands.” Rather than using the hashtag #bodypositive, Lawrence created her own movement to encourage people to learn to love their bodies no matter how they look. Even though it all started as a personal journey that was only visible through the images she was posting to her Instagram feed, Lawrence quickly grew a community around the hashtag #everyBODYisbeautiful and even landed a long-term partnership with Aerie in 2015, as the face of the Aerie Real campaign, with the understanding that the brand’s images would remain un-retouched.
Despite the fact that it worked out, Lawrence explains that she had to be willing to alienate herself in order to push the industry in the direction of becoming one “By being outspoken and making that decision, I could have potentially ruined my professional life. But I’d already given so much of myself to the industry, trying to change it while also trying to change myself and going through recovery, that I was thinking, ‘If this doesn’t work, I’m happy to step away from this industry,’ because it hadn’t helped me, supported me, or been accepting of me back then, and I didn’t want to put myself through that again “she explains. “As soon as you start living in that un-retouched world, you will be unable to return to it.
That was undoubtedly a difficult and frightening decision.” In the years since she has continued to speak out against fatphobia and the beauty standards that are promoted by both society and social media. She even started another trending hashtag, #celluLIT, to encourage women to embrace physical characteristics such as cellulite, which are often viewed as flaws. In spite of the fact that Lawrence continues to be at the forefront of body acceptance, she acknowledges the role that privilege has played in providing her with that authority.
“I can see how my kind of virality when I came out and was talking about body image could have hurt other people who were speaking on similar topics and sharing their experience that because they were in a more marginalized body or were part of a more marginalized group of people, they might not have been heard, seen, accepted and adopted as quickly as I was,” she says. Lawrence is committed to continuing to create safe spaces for others as vulnerable conversations about body image continue to evolve, particularly on social media platforms such as Facebook and Twitter. “We really just have to sit back and let everyone go through it and find their own level of comfort. It’s like, how can I present myself in the most authentic way
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Los Angeles, CA 90036
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